Hender Scheme designer Ryo Kashiwazaki's favorite tableware and how he interacts with it

Each piece of pottery is packed with the story of its user: a piece of pottery by a young artist bought in line at a solo exhibition, an antique that fell in love at first sight while traveling, a memorable dish given to you by an acquaintance...Hender Scheme designer Ryo Kashiwazaki, a new generation tableware lover who enjoys casual wear, talks about his special pieces and how to use them.

styling: KANAE GOTO / hair&make: Moe Hikita / photo: Ayumi Yamamoto / text: Kohei Hara

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Tableware is a tool. It is best to use something that is not excessive and that fits into your life so well that you don't even notice it.

I don't spend much time in the kitchen, so I wasn't particularly interested in tableware. The turning point came when I started living in two places, in a 130-year-old Japanese house. Friends and staff often came over to visit, and I needed some, so I asked Hakujitsu, an antiques shop close to my studio in Kuramae, to help me find 20 to 30 serving plates, each about 25cm in diameter.

It was then that I discovered the ceramic artist Ryuta Fukumura. His silver and gold-decorated vessels have a refined yet rustic feel, and the way they change over time is wonderful. I don't like decorative objects, but it's very important to me that they are "not excessive as tools."

I use this silver-painted mug every day when I drink coffee in my studio, but I don't even think about it being Fukumura's pottery. Because it's an everyday item that you don't easily replace or give up, I naturally choose something that fits into my life.

Ryuta Fukumura's mug.
Ryuta Fukumura is the second generation potter at Nichigetsugama in Ukiha City, Fukuoka Prefecture. He is a young potter who uses the "ginsai" technique, which involves decorating with silver. This piece is made by first applying a white glaze, then a manganese glaze that creates bubbles, then carefully polishing the surface with a grinder and sandpaper, then applying a silver glaze on top, and finally firing it in a kiln. "My children broke some of them, but I still use them as incense holders."
In addition to Fukumura's pottery and vases, Kashiwazaki's studio in Kuramae also displays works by ceramic artist Kim Hono and antique Japanese stone plates purchased at an antique market.

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