Composer Jun Miyake never wants to see the masterpiece "The Lovers on the Pont Neuf" again

Perhaps it's too addictive, or perhaps it makes you jealous as a filmmaker... What is a masterpiece that provides such an intense cinematic experience that even film professionals hesitate to watch it again? We asked composer Jun Miyake about the masterpieces he never wants to see again.

text: Emi Fukushima, Yoko Hasada

I empathize with these two innocent and painful characters.

Film is a comprehensive art. As a viewer, I am drawn to works that are excellent overall in terms of script, acting, visuals, music, etc. How film music functions within that balance is important. This film is fascinating because of the two pure and eccentric characters.

Many of the film's striking visuals, including the scene where they dance under a firework display in full bloom, are captivating. However, it's painful to see how their purity leads them to self-harm. Watching it multiple times requires stamina. For similar reasons, I hesitate to watch "Betty Blue" multiple times.

Movie "Lovers on the Pont Neuf"
Collection Christophel/AFLO

On the other hand, "Marathon Man" is linked to my own experience. When I saw the scene where a dentist tortures the protagonist's teeth, it brought back memories of when I went to a sadistic dentist in New York, the same place the movie is set (laughs). I can't bear to rewatch it.

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