What should we convey to those who will lead the future, and what should we receive from them? Suzuki Matsuo, 62 years old. Now is the time to teach the younger generation.

Bunkamura Theatre Cocoon is a renowned theater in Shibuya where many famous performances have opened in the past. Suzuki Matsuo, who has served as artistic director since 2020, succeeded Ninagawa Yukio, came up with the idea of "starting a training school for the next generation of actors" when he took up the position. It was launched in April 2024, after the COVID-19 pandemic had passed, and welcomed its second class this spring. "I have many fellow actors, but before you know it, we're all past middle age. The reality is that there are very few well-known stage actors under the age of 30. Theater is created with a gradation of ages, and is a place where people of all ages can compete with each other and sparks of expression can fly. But I just want young people to play with me."

photo: Shinsaku Yasujima / hair & make: Miwa Itagaki / text & edit: Shoko Yoshida

This is the second year since the training school started. A new unit consisting of 11 volunteer graduates will perform in the summer.

The students of the Cocoon Actors Studio (CAS), which will begin in April 2024, are aspiring actors in their teens and twenties who have been selected through auditions. What are Matsuo's thoughts on training them?

"It makes you seem less active and more arrogant, and I understand the feelings of those who don't want to develop young people," says Matsuo. However, he says there is an unavoidable sense of impatience.

"I want to convey the aesthetics and spirit of my acting to future actors. Because I've been in this industry for 37 years, there are some things I can only teach through my posture and demeanor. But because of my age, I only have another 10 years, at most, to teach with my voice and body. That precipice motivates me. Now is the time to teach."

Suzuki Matsuo
Suzuki Matsuo

At CAS, Matsuo and other theater experts spend a year practicing acting, singing, dancing, pantomime, and period drama movements. But that's not all they teach.

"Social skills are essential to becoming a full-fledged adult. In the end, I want to convey the fact that the people who survive are the ones who are well-behaved, without dismissing their personalities. I started working without being taught anything, and I was quite edgy, so I took quite a detour (laughs). There is no shortest route, of course, but I don't want people to take unnecessary detours."

Upon graduation, Matsuo wrote a script for a play starring all the students, which was performed at Bunkamura Theatre Cocoon. Ensemble Days - They Have Names Too - is an ensemble drama about an ensemble of actors playing nameless characters, and its mix of cynical humor and realism captured the hearts of audiences.

"The response exceeded their expectations, giving them confidence in their efforts, and it gave me, a man in his 60s, the sense that 'I can still do it.' In a sense, they gave me the strength to live."

In today's Japan, both those who share knowledge and lessons and those who receive them are overly conservative. However, perhaps interaction between generations can enrich both sides.

Suzuki Matsuo

SHARE ON

FEATURED MOVIES
Featured Videos

BRUTUS
OFFICIAL SNS
Brutus Official SNS

FEATURED MOVIES
Featured Videos