A story of two people who accept each other as they are
--This film is based on the short story "Jae-hee" from the novel "How to Love in the Big City" (Park Sang-yeon, translated by Oh Young-ah, published by Aki Shobo). What changes did you make to the story when adapting it for the film?
In the novel, the story is told from a one-way perspective, with Heung-soo looking at Jae-hee, but with this film I wanted to make a coming-of-age film that depicts the two-way relationship between the two. I also believe that people get to know themselves through their relationships with others. As Jae-hee and Heung-soo interact with each other, they come to know each other better, and I carefully expanded on that process.
--Seeing the relationship between the two made me think about "love" and "acceptance" in a broader sense that transcends gender. Also, the setting of Heung-soo being gay, as well as depictions of gender issues and unconscious discrimination, appear. What did you pay attention to in terms of filming and direction?
The main premise is that this is a commercial film, and I think this is also a tendency in my work, but I don't think we should force any strong messages on the audience.
Of course, the story deals with various social issues, but I hope that it will raise some kind of question for the audience in a natural way. At first, the audience doesn't know anything about Jae-hee or Heun-soo. But by the time they leave the cinema, I hope they'll feel as if the two are good friends.
-- Before filming began, were there any films that you watched as a team to share nuances?
I didn't suggest any reference works, such as this film, to watch. However, as I said earlier, this is a commercial film, so I thought it was important that it was interesting and fun, so I had the cinematographers watch Hollywood romantic comedies from the 2000s, such as "The Devil Wears Prada," to get a feel for the atmosphere.
-- Kim Go-eun, who plays Jae-hee, and Noh Sang-hyun, who plays Heung-soo, please say a few words about their acting.
I believe there is a very limited scope for a film director to direct actors. So, all a director can do is cast good actors. I was fortunate to have these two participate. Kim Go-eun is a truly talented, perceptive, and intelligent actor, so there was no need for extensive dialogue.
On the other hand, I didn't know much about Noh Sang-hyun's acting, so I talked to him a lot beforehand about the film and personal matters, etc. The moment the two of us entered the set of Jae-hee's room, a really good atmosphere was created, and I thought I was glad to have cast them, and that I wanted to keep making this movie.
--About Jae-hee's wedding scene. As is also in the original work, it seems like marriage isn't given much importance in modern Korea. What did you pay attention to when writing the wedding scene?
From the beginning, I was very worried about whether or not to depict a wedding in this film. Towards the end, Heung-soo says, "Go carefully, Jae-hee," but I think this also implies that he has a place to return to. Also, in the wedding scene, Heung-soo, who had lived his life hiding himself until then, proudly sings and dances in front of many people.
--The scene where Heung-soo sings "Bad Girl, Good Girl" at the wedding was amazing. Why did you choose this song?
The original song was by a different girl group, but since the time period is a little different, we had to find another song. Also, the original only had the characters singing, but we really wanted them to dance as well. While we were looking for a song, one of our producers suggested this song. When we heard it, we thought it was perfect.
-Could you tell us about the culture that you are interested in right now?
I'm very interested in politics. I wasn't originally that interested, but Korean politics has been so turbulent recently (laughs). When I watch politicians, I feel that they are very human in a way, and I become aware of the desires that lie at the root of human beings. I watch them with the hope that it will help me create characters that will appear in my future works. The second thing is that until now I've liked to seek out new things, but recently I've been deliberately getting into the movies and music that I liked in my twenties, and trying to see how I feel about them now.

A film for observing Korea today
Director: Lee Eon-hee / Starring: Kim Go-eun, Noh Sang-hyun, and others / Distributor: Nikkatsu, KDDI / Free-spirited Jae-hee (Kim Go-eun) tends to be isolated at university due to her strong personality, while sensitive and quiet Heung-soo (Noh Sang-hyun) lives alone, unable to come out as gay. The two, who don't fit in with their surroundings, meet by chance and begin living together. Nationwide release on June 13th.
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